The Search for Happiness: Rasselas in Jane Eyre

Shelby White
 


There are many instances in Jane Eyre where Charlotte Bronte uses or alludes to other literary works. One work in particular, Samuel Johnson’s fable, Rasselas, has important implications for the novel. Rasselas is the book Helen Burns is reading when Jane first encounters her at Lowood. Bronte did not choose this work at random. She was familiar with Johnson’s works, and she relied on the contemporary Victorian reader’s knowledge of it, as she clearly states the title rather than just alluding to it. A knowledge of Johnson’s famous work is especially important in understanding the relationship between Helen and Jane. Many aspects from Rasselas come out through Helen in the novel. Themes in Rasselas are evident throughout Bronte’s novel, and understanding these similarities gives insight into aspects of the novel, especially in regards to such things as Jane’s quest for permanent happiness.

Charlotte Bronte was known to have read Johnson’s works. In 1834, in a letter to Ellen Nussey, a long time friend of hers, Bronte wrote: "You ask me to recommend some books for your perusal…For Biography, read Johnson’s lives of the Poets, Boswell’s life of Johnson…" (Bronte, Letters 1:129-132). In another letter, this time to a man she met on a trip to London, William S. Williams, Bronte wrote in 1849: "Johnson--I think--makes mournful mention somewhere of the pleasure that accrues…when we are ‘solitary, and cannot impart it’" (Bronte, Letters 2:228). While there is no evidence of Charlotte Bronte having read Johnson’s Rasselas, clearly she was familiar with his works.

Relying on her own knowledge of Samuel Johnson’s works, as well as the knowledge of her Victorian readers, Bronte uses Rasselas to foreshadow events in Jane Eyre. While the contemporary Victorian reader may have been aware of Johnson’s work and what its impact is on the story, the modern reader may not be aware of the connections between Rasselas and Jane Eyre.

The History of Rasselas Prince of Abyssinia is a story about a young man’s search for happiness. Rasselas is a prince who is unsatisfied with a life of having anything and everything he has ever wanted. He wishes to find a way to escape from his home in Happy Valley, and contemplates his escape for many months. He is then inspired by the poet Imlac, who relates to Rasselas the stories of his time away from Happy Valley. Imlac describes the places he has been and the things he has seen, but he also lets Rasselas know the grief and pain he experienced when he returned home. The father he hoped to impress, the friends he hoped to confide in, all were dead or had long forgotten him. Still, Rasselas is adamant about seeing what Imlac has seen, and Imlac agrees to accompany him on his journey. Many more months pass before Rasselas and Imlac find a way to escape Happy Valley, whose gates are always locked. They decide to dig through the mountain to the other side. While they are digging, Rasselas’ sister Nekayah discovers them and lets them know that she too wishes to escape. Accompanied by Nekayah’s maid Pekuah, the four set out on their journey for the "choice of life" that they hope will bring them happiness.

The group travels from Suez to Cairo, encountering many different people and ways of life on the way. Each person they encounter offers them a different "choice of life," but the group soon realizes that no one is truly happy with his way of life. They meet a wise old man who appears to have found happiness in life, but when his daughter dies and his outlook on life changes, the group realizes that even in knowledge one cannot be truly happy. The group then goes on to view the pastoral life, and realizes that these people too are unhappy and envious of those who are better off then they are. The group goes on to encounter other "choices of life," such as prosperity, solitude, life according to nature, married life, single life, youth, maturity. No way of life seems to be happier than the others. The group then travels to the great Pyramids of Egypt, where Pekuah is fearful of going inside and decides to stay while the others go on. When the three return, they find that Pekuah has been kidnapped by Arabs.

Nekayah is distraught for several months without Pekuah, and even blames herself for the kidnapping. Over time, her grief lessens, but she then hears word that Pekuah has been found and will be returned for a ransom of two hundred ounces of gold. Pekuah is finally returned and the group decides to continue on their journey. They encounter a highly knowledgeable and esteemed astronomer who claims to have the ability to control the seasons. Yet he lives in isolation and is not happy. They also encounter a very old man whom all believe is the happiest of all. Yet the man is very lonely and feels that there is no more in life for him to learn or see. The group decides that in their youth is the source of happiness in life. Each decides what would make him/her truly happy. Pekuah decides that a life in the convent would make her truly happy. Nekayah feels that knowledge would be her source of happiness, and she wishes to learn at a women’s college where she can gain knowledge from her elders and teach those younger than herself. Rasselas feels that having a kingdom of his own where he can dispense justice and oversee the government would be his source of happiness. With this conclusion, all decide to return to Happy Valley. According to Helene Moglen, the "moral" of this fable, however, is not that happiness is desired in life, but rather that happiness is "the practice of virtue" (115).

Jane and Helen’s first encounter is based on Rasselas; it is in fact this book that draws Jane to Helen and gives her the courage to speak to her. Rasselas stands out in Jane’s mind as "a name that struck me as strange, and consequently attractive" (59; ch. 5). No further knowledge about the contents of the book is given in the novel. When Jane asks Helen what it is about, Helen merely replies, "You may like it" (59; ch. 5). When Jane is offered the book to look at, she pushes it aside as uninteresting:

…a brief examination convinced me that the contents were less taking than the title: "Rasselas" looked dull to my trifling taste; I saw nothing about fairies, nothing about genii; no bright variety seemed spread over the closely-printed pages. I returned it to her…(60; ch. 5)
With a knowledge of Rasselas, the Victorian reader would have known that it was a story of searching for happiness. Jane decided against her original plan of borrowing the book from Helen after she flipped through the pages. The book contained no fairies, so it was not the usual fairy tale that Jane was accustomed to reading. However, if she would have examined the book further, she would have seen that it was a fairy tale, but one that was more true to life than the one she knew.

In chapter six, the second encounter between Jane and Helen takes place. Helen has just been humiliated in front of the class, and Jane finds her "absorbed, silent, abstracted from all round her by the companionship of a book, which she read by the dim glare of the embers" (65; ch. 6). When Jane asks "Is it still ‘Rasselas’?", Helen tells her it is and that she is almost finished reading it. 

The use of this work at this point in the novel and as a basis of their friendship also foreshadows and emphasizes the differences between Helen and Jane. Talking about the way that Miss Scatcherd treated Helen, Jane says "And if I were in your place I should dislike her: I should resist her; if she struck me with that rod, I should get it from her hand; I should break it under her nose" (65; ch. 6). Helen, however, takes a different and seemingly opposite approach: "It is far better to endure patiently a smart which nobody feels but yourself, than to commit a hasty action whose evil consequences will extend to all connect with you--and besides, the Bible bids us return good for evil" (65; ch. 6). At this attitude, Jane is in disbelief: "I could not comprehend this doctrine of endurance; and still less could I understand or sympathize with the forbearance she expressed for her chastiser" (65; ch. 6). Helen is offering Jane a different outlook on life, an outlook that has been influenced, at least partially, by RasselasImlac also presents this knowledge during his story to Rasselas about his travels outside of Happy Valley. Helen’s "doctrine of endurance" closely resembles Imlac’s statement to Rasselas in Johnson’s work: "Human life is everywhere in a state in which much is to be endured, and little to be enjoyed" (27; ch.6).

Many similarities between Rasselas and Jane Eyre are evident throughout the novel. The story of Rasselas takes place in an oriental setting. The orient and exoticism are mentioned throughout Jane Eyre. In the first chapter in the novel, Jane describes herself as sitting "cross-legged, like a Turk" (20; ch. 1). This instance takes place even before Bronte mentions Johnson’s fable in the novel, and occurs when we first discover Jane’s love for reading, as well as her willingness to stand up and fight against those who mistreat her. The oriental is also mentioned in chapter 17, when Jane recalls that Mrs. Fairfax described Blanche Ingram as having "the raven ringlets, the oriental eye" (164; ch. 16). Blanche is again described by the word “oriental” in chapter 18, as is Mr. Rochester, during their game of charades:

Seated on the carpet…was seen Mr. Rochester, costumed in shawls, with a turban on his head. His dark eyes and swarth skin and Paynim features suited the costume exactly: he looked the very model of an eastern emir…Presently advanced into view Miss Ingram. She, too, was attired in oriental fashion. (186; ch. 18)
The oriental is also used with St. John Rivers. In chapter 34, Jane describes a day after Diana and Mary have returned to Moor House, in which she and St. John are sitting alone: "I sat reading Schiller; he, deciphering his crabbed Oriental scrolls" (388; ch. 34).

In using the oriental to describe a portion of the charade that Blanche and Rochester are taking part in, and thus linking this part of the novel to Rasselas, Bronte foreshadows events inthe novel, particularly Rochester and Jane’s eventual marriage. The charade is "Bridewell," which the reader assumes at this point in the story to signify a marriage between Blanche and Rochester. However, we later find out that this is not Rochester’s intention: "I would not--could not--marry Miss Ingram" (253; ch. 23). He in fact wishes Jane to take him as her husband. By tying all this in, and through the use of Rasselas (however subtle it may be), Bronte foreshadows Jane leaving Rochester in search of happiness, which only leads her back to him.

There is something to be said about the fact that Jane refuses to go to India with St. John Rivers while she is at Moor House, and that Jane does not adopt the ways of life that Helen Burns portrays at Lowood. Both India and Rasselas, which Helen takes much of her views of life from, deal with the orient. Yet in both instances, Jane goes her own way. She finds happiness through her own journeys and decisions to leave one home to pursue another. Herein lies the difference between Jane and RasselasRasselas travels with others and sees how others live, forming his own opinion of happiness and the "choice of life" from how others are seen. Jane, however, travels on her own and lives at various places in different ways before forming her own opinion on a particular choice of life.

Given the fact that Helen dies in the novel although she lives in such an enduring way also says something about the usage of Rasselas in Jane Eyre. While there is not any substantial writing about the topic, if Charlotte Bronte had agreed with the moral of Rasselas, that a life of virtue is desirable, Jane would have perhaps adopted Helen’s ways. Just as Imlac gives Rasselas a different view of life, so too does Helen for Jane. In another difference between Jane and RasselasRasselas hears of Imlac’s journeys and way of life and decides to adopt it for himself. Jane hears of Helen’s choice of life, through endurance, and decides that this is not for her.

Like Rasselas, Jane throughout the novel contemplates various problems in life while searching for happiness. According to Sandra M. Gilbert, "Jane Eyre makes a life journey" (477). She goes from an unhappy home with the Reeds, to the charity school of Lowood, to a governess job at Thornfield, to Moor House, where she is faced with the possibility of traveling with St. John Rivers for religious servitude. Yet she ends up back with Rochester, the man she left Thornfield for. So like Rasselas, the conclusion of Jane Eyre, in essence, resolves nothing (the final chapter of Rasselas is "The Conclusion, in which Nothing is Concluded”). Although she is unable to go back to Thornfield for obvious reasons, she ends up marrying Rochester. While the ending of the novel places Jane back with Rochester, Jane does learn about happiness in her time away from him, and learns what makes her truly happy, much like Rasselas and his companions. The ending of Jane Eyre on the surface seems to have resolved nothing, but in reality Jane has learned a lot about life in her time away from Thornfield. She comes into an inheritance from her uncle, but even the prospect of wealth does not make her happy. Instead of being rich, Jane wishes to share her wealth in order to have a family with the cousins she finds in St. John Rivers, Mary, and Diane.

It can also be debated on whether or not the conclusion of Rasselas resolves anything the group set out to understand and find. It appears that it has resolved something, as each member of the group decides what would make them truly happy. Yet all return home, which seems to be why the final chapter is titled as it is. While they do return home, as Jane returns to Rochester, they have gained knowledge from various walks of life that they are able to apply to their own lives.

There is also another connection between Jane Eyre and Rasselas. In Rasselas, four companions are set out on a journey to learn about various states of life. In Jane Eyre, there are also instances of four companions choosing various ways of living. At Gateshead, especially later in the novel, when Jane returns to visit a now dying Mrs. Reed, the reader sees each has chosen a different way of life. Jane finds that John Reed is dead, that "he ruined himself and half-ruined his family, and is supposed to have committed suicide" (224; ch. 21). Eliza joins the convent, "a nunnery you would call it" (241; ch. 21), and Georgina "made an advantageous match with a wealthy worn-out man of fashion" (241; ch. 21). Mrs. Reed remains the same as she was in Jane’s childhood at her death. Each member of the Reed family chooses a way of life that is different from the other, and with the exceptions of John and Mrs. Reed, appear to be happy in their choice.

There is also another instance of four companions at Moor House: St. John Rivers, Diana, Mary, and Jane. St. John decides that for him, going to India to serve the Lord will provide him with salvation. Diana and Mary both are married in the final chapter of the novel: "Diana’s husband is a captain of the navy; a gallant officer, and a good man. Mary’s is a clergyman…" (440; ch. 38). At this point in the novel, Jane, too, has made a choice to spend the rest of her life with Rochester. Both of these occasions of four companions choosing different ways of life are similar to RasselasImlac, Nekayah, and Pekuah in Johnson’s fable. For each character in both stories, decisions on the "choice of life" are made in a way that reveals what makes each happy.

Bronte used Rasselas to foreshadow Jane’s future of moving from one place to another in search of happiness. Jane could have learned a lot from reading this book and might have even been able to use the prince’s experiences in the book in her life. This is not to say she does not learn about Johnson’s writing: themes of Rasselas come to Jane through Helen.

Jane and Helen are similar in that they both like to read, and do so in trying times. Jane, in the beginning of the novel, reads while hiding from her cousin John, whom she later lashes out against in "a fury" (24; ch. 1), leading to her episode in the red-room. Helen is reading after a time of humiliation, and turns to her learning of the Bible and her reading of Rasselas to handle her situation differently than Jane did at the beginning of the novel. Instead of fighting back against authority, Helen simply says, in regards to Miss Scatcherd, "Cruel? Not at all! She is severe: she dislikes my faults" (65; ch. 6). Jane later explains to Helen her views in regards to authority figures:

But I feel this, Helen: I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel it is deserved. (67; ch. 6)
Bronte’s placement of Rasselas in Jane Eyre was intentional, and used as a way to foreshadow not only Jane’s movement throughout the entire novel, but her quest for happiness that leads her back to where she was happy in the first place. Rasselas is important in the relationship between Helen and Jane, and to Helen as a character in the novel. Bronte was able to use a work of art that obviously influenced her as an influence in the reading of her novel Jane Eyre. While little is known on Bronte’s own views of Rasselas, it is obvious that the usage of it in the novel serves a purpose of showing how each person has decide for themselves what makes them happy.
 
 

Works Cited

Bronte, Charlotte. Jane Eyre. Ed. Beth Newman. 1848. Boston: St. Martin’s, 1996.

Bronte, Charlotte. The Letters of Charlotte Bronte: 1829-1847Ed. Margaret Smith. 2 vols. New YorkOxford UP, 1995-2000.

Gilbert, Sarah M. "Plain Jane’s Progress." Jane EyreEd. Beth Newman. Boston: St. Martin’s, 1996. 475-501.

Johnson, Samuel. The History of Rasselas Prince of Abyssinia. 1759. Ed. Gwin J. Kolb. Chicago: AHM Publishing, 1962.

Moglen, Helene. Charlotte Bronte: The Self Conceived. New York: Norton 1978.


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Laying the Last Minstrel in Jane Eyre


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